Shop for artwork based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Vintage Bandon by Dan McGeorge
Oscar by Dan McGeorge
Laguna Moon by Dan McGeorge
Moonrise of the Decade by Dan McGeorge
Old School Del by Dan McGeorge
Autumn Leaves by Dan McGeorge
Window to Fall by Dan McGeorge
Robin's Moment by Dan McGeorge
Oregon Autumn by Dan McGeorge
Autumn Sunday by Dan McGeorge
Oregon 10.19 Panel 5 by Dan McGeorge
Good Morning Rogue Valley by Dan McGeorge
Day's Done by Dan McGeorge
Lake Mary Morning by Dan McGeorge
Milky Sky by Dan McGeorge
Morning Walk by Dan McGeorge
J'Ville City Hall by Dan McGeorge
Watson Evening by Dan McGeorge
Applegate by Dan McGeorge
Springtime by Dan McGeorge
Hotel Christmas by Dan McGeorge
Lonely Steer by Dan McGeorge
Desert Spring by Dan McGeorge
Oilfield by Dan McGeorge
Displaying: 1 - 24 of 219
About Dan McGeorge
Why Photographic Art?
The beauty of the world is captured and frozen in time by the photograph. A precious moment is suspended forever, never to be exactly replicated. This is particularly true in nature, as light, and the relationship of elements, are constantly in flux. Photographic art goes beyond the idea of simply taking a picture. It is not accidental. There is often an element of serendipity, and an occasional bit of downright luck. For the most part, long thought, careful planning, and a conscious resistance to release the shutter are essential.
The photographic artist must wait patiently. It is the combination of careful observation, reading light, and knowing when NOT to trip the shutter, that leads to excellence.
It is about quality rather than quantity, thinking more about what is wrong with an image than what is right. The accomplished photographic artist will recognize beauty where ever it is. However even the smallest flaw must also be equally noted, and until resolved the artist must wait, reposition, recompose, wait again, and ultimately, if the scene in the viewfinder falls short, walk away.